The 1970's

In the 1970's, a new genre of cinema emerged in America known as Grindhouse cinema. These films were typically low-budget, exploitative, and catered to a niche audience. They were often shown in run-down theatres or drive-ins in urban areas and featured a variety of taboo topics such as sex, violence, and drug use. Here are ten films that exemplify the Grindhouse cinema of the 1970's:

Broadway Theater and Commercial District 300 849 S Broadway 83The Texas Chain Saw Massacre (1974) - Directed by Tobe Hooper, this film follows a group of friends who encounter a family of cannibals in rural Texas. The film's gritty, documentary-style cinematography and intense violence helped establish it as a classic of the genre.

I Spit on Your Grave (1978) - This controversial film, directed by Meir Zarchi, depicts the brutal rape and revenge of a young woman in rural America. Despite its disturbing subject matter, the film gained a cult following and has been cited as a feminist statement by some.

The Last House on the Left (1972) - Directed by Wes Craven, this film follows a group of teenagers who are kidnapped, raped, and murdered by a group of escaped convicts. The film's explicit violence and social commentary on the Vietnam War and the Manson Family murders made it a hit with Grindhouse audiences.

Coffy (1973) - This blaxploitation film, directed by Jack Hill, stars Pam Grier as a nurse seeking revenge on drug dealers who have hurt her family. The film's strong female lead and themes of empowerment and justice helped make it a classic of the genre.

Foxy Brown (1974) - Another blaxploitation film directed by Jack Hill, this film stars Pam Grier as a woman seeking revenge on the drug dealers who killed her boyfriend. The film's action sequences and Grier's iconic performance helped make it a hit with Grindhouse audiences.

The Warriors (1979) - Directed by Walter Hill, this film follows a gang trying to make their way back to their home turf after being falsely accused of murder. The film's stylised violence and depiction of urban gang life made it a cult classic of the 1970's.

Faster, Pussycat! Kill! Kill! (1965) - Though not strictly a 1970's film, this Russ Meyer classic was a precursor to the Grindhouse cinema of the decade. The film follows a trio of violent, sex-crazed women who embark on a killing spree in the desert.

Black Christmas (1974) - Directed by Bob Clark, this horror film follows a group of sorority sisters being stalked by a mysterious killer during the Christmas holiday. The film's tense atmosphere and iconic ending helped make it a cult classic of the genre.

The Beyond (1981) - Directed by Italian horror maestro Lucio Fulci, this film follows a woman who inherits a hotel that may be built on a gateway to Hell. The film's surreal imagery and extreme violence helped make it a classic of Italian horror.

Cannibal Holocaust (1980) - Directed by Ruggero Deodato, this film depicts a group of documentary filmmakers who travel to the Amazon to film a tribe of cannibals. The film's graphic violence and exploitation of real animal killings caused a great deal of controversy upon its release, but it has since gained a cult following as an example of extreme cinema.

In conclusion, the 1970's were a time of bold experimentation and boundary-pushing in cinema. Grindhouse films, with their low budgets, taboo subjects, and niche audiences, were at the forefront of this movement.

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